It Claimed It Didn’t Exist by Russ Bickerstaff

It appeared there out of nowhere insisting that it did not exist. I couldn’t get anything else out of it. I’d tried asking it a whole bunch of questions, but it seemed insistent that it was incapable of answering them due to the fact that it didn’t actually exist. It was difficult to tell whether it really legitimately thought it didn’t exist or maybe it simply wanted me to believe that. Wither way it wasn’t making a terribly compelling case to me as it quite clearly did exist otherwise it wouldn’t have tanked the job interview for me the way that it had.

Naturally, the recruiter had assumed that the sudden appearance of the thing had been something that I was responsible for in some way. It only made sense. I was there it was there. Neither of us had ever been there before. The recruiter had been there countless times before. Naturally when something appears out of nowhere and winds up in my lap, it’s a guest of mine. Naturally it’s a sign that I’m unstable what with things suddenly appearing in my lap out of nowhere and naturally it’s going to freak the recruiter out enough to basically destroy any chances that I might have had of actually getting what would have been a rather nice job with a rather decent paycheck.

So naturally I was a bit upset. I would have been furious if I hadn’t been so charmingly fascinated with this little thing that I was allowed to leave the interview room holding. (Really, what else were they going to do? They could only assume that it was mine.) So I walked out of the place and carried the thing back to my car. I put a seat belt around it in the passenger side and drove back home. It was more or less there in my car that I started trying to engage it in conversation.

“I forgive you,” I said opening a dialogue with the thing.

“No need to,” it said. “I don’t exist.”

“Oh,” I said in a tone that seemed to convey that what it said meant something more than nothing at all. “Sounds fascinating.”

“I wouldn’t know,” it said. “I don’t exist.” I nodded, took a deep breath and felt myself begin to acknowledge somewhere in the back of my mind that this was going to be a very, very long drive home. I tried my best to keep a healthy perspective on things. Yes, I lost the job, but I’d gained a mystery. Even if it disappeared on the way back home the way it had appeared while at the interview I still had the story, so I guess I could be happy about that much at the very least.

I got the thing home and considered letting it follow me to my apartment. Of course, it wasn’t moving. I asked if it wanted to follow me, but it insisted that it could not as it didn’t exist. So I elected to carry it all the way back to my apartment. I got a few strange looks from one of my neighbors on the way in. She was doing laundry and I was carrying this…thing into my apartment. Kind of an awkward couple of seconds in the elevator.

“What’s that you’re holding?” She asked.

“I don’t exist,” it replied. I smiled and chuckled lamely. The seventh floor couldn’t come fast enough. I rushed to my front door, fumbled with the keys. It was such a relief to get the thing pushed through the door and into the apartment. I slammed and locked the door behind me with a sigh. It was one thing to be inadvertently assaulted by the unknown. It was another matter altogether to have to explain it to your neighbors.

I set the little thing down on the floor as I got off my coat and boots. It wobbled around a little bit, apathetically curving around the floor in different directions. Occasionally it would bump into a wall and simply stare into it until it was turned around. Then it would slowly slouch forward in a long curve until it ran walked into another wall. After the first five or six times of turning it around, it occurred to me that it might be a bit more content simply sitting down.

The little thing was a bit goggled and dizzy sitting there on my couch. I had gotten a glass of water for it. I don’t think it knew what to do with it. I asked if it knew what the glass of water was and it gave me the same answer it gave to every question.

“I wouldn’t know,” it said. “I don’t exist.”

It was the same response I got when I asked what it was or what it wasn’t or where it came from or how it knew it didn’t exist. Always the same answer to any question: “I wouldn’t know. I don’t exist.” Right. I wasn’t frustrated. I was challenged. I felt like I was its parent and it was my job to pry it out of its listlessness. Not sure exactly where that came from but I would like to think that it was more than just the fact that it was roughly the size of a vague toddler-type of a thing.

I turned on the TV. Couldn’t tell if it was watching it or simply gazing off into space with the eyes it claimed did not exist. We shared a couple of sitcoms and a one hour drama as I ate and it ignored the food on the plate in front of it. I got ready for bed. I carried it into the bathroom and brushed what appeared to be its teeth. I put it in an old t-shirt and set it up on the couch with a little pillow and some blankets. It didn’t seem too terribly annoyed by what I was doing, but it was scarcely affectionate about the whole situation.

I settled into bed that night. I was confident that I would find work. I was confident that I would figure out what the hell the thing on my couch was. All would work out. I didn’t know why but at that moment it didn’t really matter to me. Everything seemed to be in the right place at that moment even though so much was unknown.

Russ Bickerstaff is a professional theatre critic and aspiring author living in Milwaukee, Wisconsin, with his wife and two daughters. Last year his short fictions have appeared in over 30 different publications including Hypertext Magazine, Pulp Metal Magazine, Sein und Werden, and Beyond Imagination. His Internarrational Where Port can be found at: http://ru3935.wix.com/russ-bickerstaff.

Living With a Boyfriend who Suffers from Depression/ Excerpts from a Self Help Novel Written by my Four Ex-Girlfriends by Steven J. Rogers

Excerpt from Chapter 1. Written by Michelle.

In college, when we first started dating, he made me mix tapes. You remember cassettes? He’d make collages out of pictures he cut out from art magazines and cover the cassette case with them. I still have some. I think they’re in my parents attic.

Even though he had the best taste in music, the tapes would veer down these bizarre esoteric paths. “Sicilienne” by Bach would be followed by “Girl from the North Country.”Midwestern indie hip-hop would follow Cuban Trova. It made listening to the tapes as cathartic as it was jarring. In retrospect, I should have known he would have trouble functioning in the world. There’s a defined order to things that I don’t think he ever understood.

After we graduated, we moved in together to save money on rent. Back then rent wasn’t as crazy as it is now, but we still had trouble paying it. I think he expected something good to happen. Like if he graduated, worked hard on his art, he could get a job with a BA in Fine Arts. I didn’t have such lofty expectations. I waitressed with my BA, but he could never hold down a job.

Once, in the middle of the day, I came home and found him asleep in the living room with the lights turned off. I assumed he lost his job at the shipyard. I woke him up and said some mean things — things I regret. At first, he didn’t respond, just sat there with a blank expression on his face. Then, out of nowhere, he punched the wall.

I cowered and put my hands over my face. I wasn’t afraid, it was just intense. It was so rare that he showed any emotion. He walked out of the apartment. He seemed as surprised as I was. The next day his stuff was gone, his key sat in the middle of the kitchen table with a bouquet of tulips, and note that read, “sorry.”

We saw each other once in a while after that. It was unavoidable, there were mutual friend’s parties, the coffee shop on the corner of eighteenth street, but we never talked. There was never any kind of finality in the break-up. I resented that. I wanted the end to mean something

I don’t know if I think he was depressed. A couple years after we split I saw an episode of The Sopranos, where the main guy is talking to his psychiatrist. She tells him that depression is just anger turned inward. Maybe that’s true, or maybe human emotion is slightly more nuanced.

Excerpt from Chapter 2. Written by Sarah.

You can’t control the way anyone else feels, but you can control your own emotions. The only thing you can do to make yourself truly happy is to live for others. Live for your community, your family, the people you love.

I know it’s silly, but I also think windows are important for happiness, or, at least, the right approach to windows. It’s more important to have a window that faces east than faces west. In the morning, when you wake, open that window up. Let in the sun. The life of the world is in the sun.

I read what I just wrote, and I don’t like it, but I don’t know what else to write. Who am I to tell people how they can deal with someone who is sad? No one can be happy all the time.

Most of the time, when I try to be happy, I feel like a selfish narcissist. I lived with a boyfriend who was depressed all the time, and after a few years together, I glommed onto that sadness. In a way, it felt natural to be sad. Comfortable.

The more I think about it, the more I think my earlier advice is garbage. If you try to make a difference in your community, go to a city council meeting or something, all people do is yell at each other.

What does it even mean to live for your loved ones?

I think I’ve read too many self-help books.

Excerpt from Chapter 3. Written by Jane.

I have a dog, he’s what they call a rez mutt, mixed with so many different breeds it’s impossible to tell exactly what kind of dog he is. He’s brown, about thirty-five pounds, and the sweetest animal in the world. I found Puggy on the outskirts of the Pine Ridge Sioux Reservation during a road trip when I was eighteen. There isn’t another thing in the world I love as much as this dog.

He’s seventeen now. I’ve had him by my side longer than I lived with my parents, longer than I was in school, longer than I’ll ever hold down a job. It’s hard to imagine a day when he’s gone, but that day is going to come sooner than later.

Puggy’s hips are displaced, some days they hurt so bad he can’t get out of bed. I take him to physical therapy, but it doesn’t seem to help anymore. There’s hard little balls that grow on his neck, and chest. I worry they’re cancer. He had cancer when he was eleven, but I got it treated. It cost nearly twenty thousand dollars. I’d spend that much every year if he could be healthy again, but that’s not the way mortality works.

By all accounts, Puggy should be dead. Fifteen, twenty years ago, before treatments for animals with cancer, he would have been. A hundred years before that, he probably wouldn’t have made it to five. I love him, but I really need to let him go. That’s the way it is with love, you just have to let it go.

Humans suffer a similar indignity through science. When we first crawled out of the primordial soup we’d be lucky to live for fourteen years before some wild beast had us for lunch, or the common cold killed us. People aren’t dogs, they aren’t easy to get along with. To expect people to be able to tolerate each other for long periods of time, when we weren’t even built to live much past puberty, is simply unnatural.

Appreciate your time with others, but don’t push yourself to unnatural levels of familiarity. If you have a boyfriend who has a great, creative career, a zest for life on good days, and an incredibly dark view of the world on bad days, learn to appreciate your time with him. If your dog loves him, that’s even better. Realize that it wasn’t meant to last, and when things get dark, it’s time to move on.

Excerpt from Chapter 4. Written by Sarah (a different Sarah).

Sadness makes people funny. Somebody said that once. I think. Or did I just make that up?

He was funny. Cynicism permeated every word that dripped out of his mouth. We’d watch the Republican debates, the local news, awards shows, and he would have me rolling with dark quips about the general decay of humanity. There was a point where the cynicism was too much to be around. Every joke a little bite at the core of my soul.

I don’t think about the bad times, though. Once someone is gone —

Time is the essence from which life is made. Somebody said that once. I think. Or did I just make that up?

Maybe I’m not making the right point here. Memory is fickle, the older I get, the more time I spend with misplaced nostalgia. Nostalgia can be as crippling as depression.

Maybe dwelling in nostalgia is better than waiting around to die. Somebody said that once. I think. Or did I just make that up?

Steven J. Rogers is an avid canoesman and beardsman from Northern Wisconsin. Alas, he currently lives in Los Angeles, California. Steven is not an absolutist, so he is willing to accept the idea that there might be a hell. If there is, he’s pretty sure that it would involve writing bios. He has a BA and MFA which he’d happily trade for some beer money. To learn more about him, and his upcoming publications please visit http://www.stevenjrogers.ink.

Swans by Alice Walsh

When you slept I opened your chest, the sides of your rib cage creaked open to the wardrobe of you. I wove that thin silk through your beating. Threaded you to me – to mine. Then closed you. Kissed you shut. With warm oil I made the sign of the cross on your eye lids, throat, heart. When you woke you pulled me to you and said you had the strangest dream.

We two were. Together we twirled, entwined. I didn’t end, you didn’t begin. The rhythm in you played me. I tied you, untied you. Thumb twisted gentle at the notch of your neck. We searched each other. White cloths fell from us. Fire warmed the sweat on our skin, breasts, ribs. We feasted on flesh by flickering light – licking, sucking, suckling, salts, tears. We drunk the universe from the shallow pools of our bodies.

They stood still and silent looking at us with lust and disgust. We didn’t stop, couldn’t stop, writhed, contorted, grimaces demonic – flushed with ecstasy a two-headed Siamese banshee wailing. They chained us, hunted us from the underworld through the trapdoor, our feet never touched the ground. We soared majestically up and up and up into the ether milk sprinkle of stars. We didn’t look back. For the first time I saw your great wings open and swallow the sky. The chain hung down between us. You showed me the constellation of Cygnus, while the sun followed behind us

*

Too many things have broken for this not to happen, for this not to be what it is. The scenes and sequences needed to occur have crashed across our path with such ferocity that it seems impossible to refute this gorgeous truth. I am falling, falling into the feathered white breast of you. The ice the ice – it does not crack here, there are so many things I do not know about you. There are so many things.

I want to know all that you are, that you have been, I want to meet your every mistake walking backwards. Your treasured lost loves hidden in drawers, your small stacked heartbreaks placed between books. Will you go with me into that good night? Us two, dressed like bombs – we will go out like sparklers, the fabulous colours of our souls exploding across the navy of the night.

I have fallen into you, I have fallen further than I ever knew. I know now what I can become.

*

You became unchained from me, saying it wasn’t what you wanted. I kicked the shackle against rocks and stones, it would not break. I did.

Blood burned fabulous against the white of me. You couldn’t bare the sight. I watched you walk on water. I watched your vast wings open and close, open and close until you turned from a white star to nothing out there in the wind.

Then I wondered did we still see the same moon? Were my stars your stars? Your land was so different to mine.

Hope, suddenly a diminishing thing.

*

Even if you came back you would not be you. You undid me, still do. You are so much more than feather and bone. You are of the earth, water and air. Return me to my fire of hurt – unravel the stitching, peck out each suture with great care, untether your feathers from this. You were never mine to begin with.

Close your eyes now you cannot see me, this abstract fallen undone thing. Cover your ears now you cannot hear me sing sorrowful from across the stream. Kiss me for the last time, let that great swan song soar – you are not mine, you never really were.

*

You danced around yourself, so afraid to stand still and stop pretending to be so unafraid. Did you ever stop pretending?

The curves of your sadness were familiar to me. The day tattooed on the skin of your soul. I felt near to you when the needle kicked black blue on my arm. A song played, no one knew where I was – least of all me.

I could see the gather and unravel in you. You could see it in me too. We were both reaching. We were each other’s pins and buttons. We needed something small to stop us from falling apart.

In my Polaroid memories you click your jaw, smoke rings jump from your asshole mouth and drift through the air – the ghosts of kisses, all kohl and coolness. Your hair hangs down, strands caught in the brush of your eyelash flicker when you blink, two turquoise irises disappear behind thin veils of skin. I stop breathing until I see them again.

I am lost somewhere on the continent of your cheekbone invisible words come from your mouth the speech bubble bursts.

I bite my bottom lip and don’t hear a word.

*

What’s the most beautiful thing you’ve ever seen?

Your eyes are in my eyes.

You say I saw these swans once, two of them – flying across the blue. I heard them before I saw them. They were such a force, how they owned the sky. They made the most magnificent scene.

What’s the most beautiful thing you’ve ever seen?

Your eyes are in my eyes.

 

Alice Walsh lives and works in Dublin, Ireland. You can read more of her musings at alicewalshblog.com or follow her on twitter @al_icewalsh

The Space between the Stars by Joshua Sczykutowicz

A tree is beginning to grow from her mouth, branches and vines twisting and sprawling from between shining teeth and atop her pink tongue writhing. Small flowers, yellows and whites, pinks and blues erupt from reaching branches longing to touch a sky too far above to ever reach. They are unknowing, believing that if they could only sprawl an inch further — if they could just long for that black and purple sky, set atop sand-storm dunes and orange canyons of stone unending — then they could finally find their place in the midnight lands alone.

Roots are bleeding out of her now, feet crossed like a modern Christ in feminine form as her arms outstretch like branches of their own. Her eyes, shut serenely bear long lashes pointed down, lids facing upward to that same destination as branches desire. In space, she thinks, I will not need to see; blackness unending is all there will ever be.

She has not seen the stars in so long, despite their photographic glow reaching here now, candles amongst the flame that is the low-hanging moon above this desert nightmare that she will never want to leave. Light has failed to reach those eyes long enough for her to believe it will never return again. Steeped in darkness she no longer dreams of stars and marbled galaxies. Her branches will sprout and brightly colored blossoms will wisp away in winds she was never meant to grow within. As they fall, I will collect them, hands reaching into burning sands beneath to grasp paper-thin flower petals already drying, moist tissue between delicate fingers and caressing hands.

I hold her now, and hear her branches groan towards me, feel her roots try to wrap around and pull me in, not knowing a gardener can never truly connect to its growth. But I have not planted her, and to call myself a gardener is to elevate my position here, to lower hers to mere greenery and mindless life.
No, she set her feet in these sands; she waited for the fast and falling rains that pass for moments overhead, nurturing suggestions of life dissipating just as they are recognized. I am just an onlooker, a man who walks within a forest and stands before a tree he knows is more than him, something that was and will be long before and after he was either of these things.

If she could see into this forest of which she is the first to grow, she would not see her gently crossed legs like carefully drawn charcoal shadows, suggestions of shape, nor would her eyes fall upon the pale, pained arms holding the air above. She would only see the spaces surrounding, only know that there is so much emptiness, so much space unfilled.

It is her point of view I must defy, I know. I must cause revelation through action. If I water her planted appendages enough, if I brush her languid hair and wash her weathering skin as dust and sand turn to mud, trickling down her ankles entwined, then maybe the sun may shine through the moon strong enough to reach those shut eyes still. And she will know her blossoming branches, and she will know this beauty I admire.

I used to wish the sun could rise in these wastes. I used to look up at the sky and stare at the swirling stars and glowing ripples in the fabric lain atop this earth, and imagine that aching moon turning round once more and these rising canyons ahead casting their obsidian shadow over illuminated sands, and now I know it will never happen. I have learned the love of midnight; I have found the beauty in these spaces. I step backward and stare at her form before me, and start to see the space between the stars above. I know that amidst this black there exists so much light, if only her eyes could adjust to see.

Josh Sczykutowicz is a young author from central Florida. His work can be described as experimental, visual, alternative, dark and literary fiction His writing fixates on tone, mood, atmosphere and imagery filtered through specific points of view presented by layered, complicated and complex characters. His work has appeared in The Fable Online. He can be contacted at joshsczykutowicz@gmail.com

we think we know what love is but we don’t think it’s enough by Joseph Parker Okay

that was the night we were drunk and had sex and were still drunk afterward. let me narrow that down — it was the night you used the bathroom then came back and caught me looking at myself in the mirror. you made an irritated noise and said, “you’re always doing that.”
“i know — i’m sorry,” i said, “it’s just an insecurity.”
“well yeah, i know.” we decided to get back into bed and shortly after turning the light off you finished your thought with, “i just didn’t know you knew.”

there was that night we got drunk and somehow legitimately argued over a song from the black parade — you left so i went to bed. in the morning i woke up remembering fragments of the night before and tweeted an apology @you.

there were those other nights we were drunk and argued over other small things and sooner or later i would take a deep breath and ask, “are we doing okay?” you’d make an irritated noise, you’d say, “yes we’re fine — why do you always ask me that when we drink?”

i waited for you to connect the dots but the picture didn’t seem to come together until the night we saw kevin devine open for brand new at that outdoor festival — it could have been the fourth of july but then again it could have been any other milwaukee summer night.

afterwards we were drunk and arguing again but sobering up and burning out. it was obvious we’d been wavering atop some very high up and far away precipice for an unknown-but-drawn-out amount of time — i still remember how my stomach lurched the moment i realized we’d finally plunged over its edge. you might have said something passive-aggressive or you might have not said anything at all. i disappeared into the crowd and left you standing there.

Joseph Parker Okay lives in Milwaukee, Wisconsin. He’s been worrying a lot about the sunrise lately. You can follow Joseph on twitter, or check out his site.

Sermon from the Church of Slashed Prices by L. Soviero

The great doors open with some of the other mothers in their Sunday best filing in dragging their children behind them. My little one, Lucy, skips ahead as I squeeze past a woman I’ve never seen before wearing one of those day at the race bonnets Queen So and So wears. Her husband, who I believe is on the board at my son’s high school, shouts from the parking lot to go ahead. He’s gotta talk to Jim about quick dry caulk. Now that I think of it, I’m pretty sure he’s having an affair with that woman from my hair salon.

I shuffle past the check out, where the counter boys are setting up the registers for collections. Some of them pour the blessed bottled water into plastic buckets. A man in a gray suit dips two fingers in and anoints his forehead with the sign of the dollar. The intercom crackles.

My brothers and sisters,
there were times when you fretted over your next meal,
and in that hour of need,
we were there cutting down the prices!
Can I get a rollback?

I grab my cart from the train and push it by women’s fashion, not before I stop to grab an adorable little scarf that’s only $12.99. It’ll look great with the black sweater I got last Sunday.

And when you questioned the possibility of buying everything:
electronics, groceries, diapers, pet supplies, hunting gear and home furnishings
all in one house,
we eased your troubled mind by opening our doors to each and every one of your pitiful souls!
CAN I GET A ROLLBACK?

Over in frozen foods my neighbor is holding a bag of peas, and forgive me for saying, it would do her waistline some good to get more greens in her. Her daughter is behind her on her phone. I think they call them emus or something, but I swear I have never seen that child smile. She should not be alone behind locked doors.

And when others said nay to two Hellman’s Mayonnaise for the price of one,
We said down with your tyrants and demigods!
CAN I GET A ROLLBACK?

Lucy has made a little boyfriend. They’re playing peekaboo around the shopping cart. I have to pull her away to turn down aisle seven where we stop in front of the statue of St. Colgate. I kiss his feet. There are some skinny candle thingamajiggers in a glass holder near his statue that I use to light one of the votives. Lucy and I kneel with our heads bowed.

And when you walked the aisles
turning back to see only one set of footsteps smudged in the just mopped floor,
you asked, Why have you abandoned me?

I pray.

And we responded,
Child I never abandoned you.
When you saw just one set of footsteps it was because we were carrying you through the aisles all along.
Can I get a rollback?

I pray for my family and friends.

For all those, including my Momma and Daddy, who’ve gone to the great Mart in the sky.

For people all over the world who don’t have chicken this Sunday.

For those without an entertainment system to watch the football when their bellies are full.

But most of all I pray for the protection of our great country and the freedom it gives us, especially from those who would like to take it away.

Kaching.

L. Soviero was born in Queens, New York but now resides in Melbourne. She has never been and never intends to be affiliated with the Church of Slashed Prices. Read more of her stuff at Apocrypha and Abstractions, Hobo Pancakes and Postcard Shorts.

Going Bowling with Mohammed – I Wanted To Write A Short Story About by Ron Riekki

Going Bowling with Mohammed—I Wanted to Write a Short Story about
Mohammed, but I live in France and Charlie Hebdo happened recently, so I thought I’d keep it safe and just go bowling with Mohammed, so I called him up and he didn’t answer, so I started wondering if he was pissed off at me, but he was just working and then had to pick up his nephew, but after that he called me back and we went to this bowling alley in Ishpeming where my dad likes to go and nobody recognized him, which surprised the shit out of me, except it’s true that you don’t see a lot of depictions of Mohammed so it sort of made sense, like the time I drove Arthur Miller to a hotel in Boston and everybody at the front desk just walked by him like he was a nobody and I asked Arthur Miller why nobody recognized him and he said that’s the beautiful thing about being a writer is that you can be famous on the page and unknown in the face, which is basically how Mohammed is—real laid back and nice, so nobody needs to get worked up about how I’m portraying him; I’m just saying that Mohammed is a pretty nice guy, I mean, we got in a fight when I was in twelfth grade and he kicked my ass pretty bad in the back of my grandma’s car, but besides that we’ve pretty much been kinda cool with the exception that I never saw him again and he didn’t come to my wedding because it was completely Christian, because my girlfriend is French, I mean wife now and her dad is all French Catholic, which means he goes to church when he’s hungry and Mohammed bowled a 93, mostly because he doesn’t bowl, because he’s way too busy being this like massive iconic figure, sort of like Sean Penn, but with a lot less scripts to read and on the way home I asked Mohammed about the terrorists and he basically said that the word homosexual doesn’t actually appear anywhere in the Bible and look how fired up the evangelicals are, so imagine a text as thick as the Qur’an and imagine how badly that can turn into a landslide and he said that the more peaceful someone is, the more they’re being Islamic and I tried to trick him with a bunch of Hitler counterargument stuff, but he just stayed all calm as a rose in a field with absolutely no wind and it was then that I realized it wasn’t Mohammed who kicked my ass, but my cousin Todd who has a bit of a temper from his cerebral palsy and that Mohammed pretty much never did anything wrong, just like Jesus, and I wish I could be like that; I wish I could be like Mohammad and Jesus, but I’m a writer and it’s only people who don’t write who are really peaceful, because writing turns you into a beach in a hurricane.

Ron Riekki’s books include:
U.P.: a novel,
The Way North: Collected Upper Peninsula New Works (a 2014 Michigan Notable Book)
Here: Women Writing on Michigan’s Upper Peninsula
His play “Carol” was included in The Best Ten-Minute Plays 2012 and his short story “The Family Jewel” was selected for The Best Small Fictions 2015. 

You can follow Ron Riekki on Twitter.

A Guide to Finding Your Former Hit Album in the 50-Cent Bin at a Used Record Store by Alex Sobel

Boredom: These are the reasons you enter the store in the first place, to look, browse, hoping to find something you weren’t looking for, because deciding you want something and then going to get it wouldn’t feel right, would break the spontaneity that you cherish as an absolute, even though one could argue that the concepts don’t mix.

First impressions: You’ll notice the incense, meant to cover the smell of old record sleeves disintegrating, VHS tapes that have probably melted inside from a decade in an attic that can reach 120 degrees in the summer, the employees’ boy odor. Hey, the guy at the counter says. You nod, mean to say something, but no words come out. You’ll barely be able to look him in the eyes. Don’t even attempt to.

New Vinyl: What’s by the door. You’ll go through it, thinking that the term “new vinyl” might be an oxymoron. New here, but old everywhere else. So still old here, too. You find a Christine McVie album that you’ve never heard of, $10. Too much, you think, but you can already see this play out, the regret for passing on something you may never see again, letting an opportunity slip away when you have the power to prevent it. You’ll slide the record under your arm.

Order: Expect none from the cheap CDs. But you like that, prefer it, perhaps. If there was an order, then those who knew what they were looking for could just find the right letter, the corresponding artist, grab what they come for, or cut their losses and leave. But with the lack of order, things are missed. Only those not looking for anything can find something.

Pain: (or something similar) What you’ll feel when you find it, the cover scratched, the 50 cent sticker falling off. You push the flap back to the plastic, but the adhesive is gone, you continue to push it back anyway. You look at the back cover, the track listing, the date, 12 years ago, try to put the time into some kind of relative context.

Purchase: But why? You feel like you need to. You have copies at home, you could even play them yourself, live. Your voice is still the same, you’ll think. You could be mistaken for the recording. You could do that. You think you might. You won’t.

Recognition: Expect none, even though your face is on the cover. Years have since been painted on, sure, but it was all cut from the same rock, so to speak. And do you even want that? Do you want someone to know you’re buying your own album? You don’t.

Regret: You’ll feel a lot of it, but don’t let that make you put the CD back. Besides, you have the vinyl under your arm, a distraction. It’s like buying a stick of gum to go with the box of condoms or the tampons you used to pick up for Julie before she left you, strung out, because you deserved it. This is where you’ll feel a second bout of regret. Ignore this. Remember: Your mind will begin to wander to the past tours, the blurred moments like holes that fill in with a kind of chest-collapsing nostalgia that constricts your breathing. Avoid wondering how it all disappeared, or how you let the success go to your head, or where all the money went. Thinking about it won’t bring anything back.

Small Talk: The clerk will make discussion with you, though it’s unlikely he’ll make small talk about your album. Instead he’ll mention the decoy. Last week, we got a Chicken Shack album in, he’ll say. You’ll turn your head, point to the record. A band she was in, he’ll say, pointing to Christine McVie. Oh right, I misheard, you’ll say, though you won’t know what he’s talking about. Refuse a plastic bag on the way out.

Tomorrow: A concept you’ll definitely be thinking about as you put the album into your car’s CD player, listening to it in the parking lot. Some of the songs skip, the disc scratched. You like to think that whoever owned it didn’t give it up on purpose, that the scratches mean it was listened to, that it was loved. When it’s over: Then you’ll leave the parking lot. There’s an especially stubborn skip in the 2nd to last song. You might press next on the player, skip over the problem song, but that feels like cheating, so you’ll decide to wait it out. For a little while, anyway. You think it’ll pass eventually. If you just give it a little time.

Alex Sobel lives in Toledo, OH, where he is a freelance journalist and contributor to The Press, a newspaper out of Oregon, OH. His work has appeared, or is forthcoming, in publications such as The Saturday Evening Post Online; Foundling Review; Ink, Sweat, and Tears; and theNewerYork. You can follow Alex on Twitter.

Attempting Bamboozlement by Jonathan Persinger

At 8 p.m. or so on Feburary 13th, I flagged down a Stop & Shop stock boy with a bad haircut and asked, “What do you buy on Valentine’s Day for someone who doesn’t love you anymore?”

The hipster-haired young man identified by his name-tacky-tag as Hayden looked at me with sunken-ship eyes, incredulous yet uninterested. “Um,” he said, “that’s a trick question?”

I said, holding a cardboard heart full of truffles in one hand and a terrifying teddy in the other, “Why would I trick you?”

Hayden told me, “I don’t know,” and I believed him in the most implicit way.

“You don’t know what?” I pressed, stepping closer to the grocery boy, catching the questioning eye of a passing-by mid-forties mess and the babbling brook of children radiating around the cart she probably called a buggy. “You don’t know why I would trick you, or you don’t know what I should buy?”

“Neither,” he said, and he beamed, so glad to have gotten something right.

“Why not?” I held up the heart of chocolates, waving the damn thing in Hayden’s direction, attempting bamboozlement. “You’ve got a girlfriend, Hayden? You’ve got someone? You buy them a heart with little chocolates inside and there aren’t enough chocolates inside and she keeps biting into them and not liking the flavor, so you’ve got to eat all of those chocolates, and then you’ve gotta log all those calories, and the next day it snows too much in mid-February and they close the gym? Is that the story, Hayden?”

Hayden said, “Um.”

Beyond Hayden, in the vague store-space where I stared to avoid looking at his vacant-of-emerging-intelligence mouth, a familiar face with unfamiliar hair passed by our shared seasonal aisle and distracted me all over the place. I shoved the bear, Bronson, into Hayden’s chest. With two clumsy hands he clutched the creature to his person. Abandoning my cart, I escaped in warm pursuit of a big-banged platinum blonde from another part of my life.

She crept her way out of Aisle 9 Pet Food, Pet Toys, Pet Supplies, and Laundry Detergent just as I arrived, ever avoiding me, like in the old days, before grocery store visits at 8 p.m. in the snow. No big mess, she moved slow, weighed down by the cart she probably called a cart and perhaps some dog food, though I couldn’t picture her with a dog.

“Hey!” I yelled in the bread aisle. She moved faster.

“Yo!” I shouted in the aisle where they keep the paper products, towels and plates and toilet.

“Gloria!” I bellowed among the frozen food, between the breakfast section and the vegetarian options.

Gloria stopped, turned, didn’t smile, full lips hanging open, that one tooth still somewhat questionable. She wore thick eyeshadow and lipstick and a long, brown coat with big rustic buttons and I couldn’t see the contents of her cart but pictured them to be a divine window into her soul and the three years which intervened between my college graduation and the February 13th during which I screamed wild at a confused youth named Hayden.

“Gloria!” I said at a more civilized volume, crossing the physical gap between us and wishing I hadn’t thrown aside that box of chocolates. “You’re at Stop & Shop! You’re stopping, you’re shopping.”

She nodded, face still less than enthused. “Cyril,” she said with a distinct lack of an exclamation point, “you’re at Stop & Shop. After all these years, the world continues to astound.”

I could’ve kissed the girl, but settled for guessing the flavor of her lipstick. My mind went wondering if lipstick came in flavors at all, and I resolved to ask Anna about it later that night, or during our Valentine’s date.

“There it is,” I told her, pointing upward with my enthusiastic pointer, unsure what the gesture meant or conveyed. “That wit I missed. Gloria, Gloria, viva la Gloria. How’s tricks? How’s life? How are the dogs?”

She relaxed somewhat, but kept a noticeable amount of tension lodged in her hunching shoulders. “Tricks are for children and magicians,” she said, swinging her cart around to put the jangling contraption between us, then leaning on the handlebar. “Life is a theoretical concept, and the dogs are, surely, not owned by me, who owns no dogs.”

“Cat, then,” I said, and leaned on the opposite end of cart with my elbows, hoping she considered this an invasion of personal space. “You have a cat, two cats, three cats, you never really returned my calls and it made me feel bad about the way I am.”

Gloria’s shape, too, took the form of a lean-forward over the cart, and more and more the two of us became the kind of people all shoppers and retail workers and humans hate, those who take up half an aisle for the purposes of an unmoving, banal conversation. “A teacher’s assistant is not required to return personal calls, only those related to academic matters, and, even then, only during the semester. And perhaps, Cyril, you should feel bad about the way you are, though I doubt you do, considering.”

“Considering?” I said, narrowing my eyes for no reason, scrunching up my face. “Considering my shirt? My shoes? My lack of cologne or my audacity to call you out, I’m pretty sure we could’ve been in love, Gloria, or my haircut, because I think that looks pretty much okay?”

She picked at one fingernail with another, an old habit. “As I’ve told you in multiple Christmas cards, I do not think we were ever, nor will we ever be, in love.” She crossed one leg behind another, legs to die or kill or do extra credit for, and I regretted wearing a jacket, because grocery stores can never maintain a reasonable temperature for a place so entrenched in the business of walking around.

“Yeah,” I said, and tried my best to be chalant but with the common prefix, “well, I threw those cards away, and then I took out the garbage and I think they ended up at a dump somewhere, so, hey, when did you dye your hair, I liked it black, and talk to you next Christmas.”

“My boyfriend likes blondes,” she said, and grinned in a manner most imperfect. “He’s seven feet tall, teaches martial arts, rescues stray cats and repairs elevators for a living.”

“Good,” I said, wondering what Hansel—no, Hayden—was up to, “great, grand, wonderful. Are you giving him a Nobel Peace Prize for Valentine’s Day? Because, clearly, he’s very deserving of one.”

Gloria leaned closer still. “Cyril, seriously, all jokes aside,” she said, but let the sentence hang.

“Like I said,” I told her, “never mistake my refuge in audacity for mere jest.” I couldn’t quite remember if I had said any such thing.

“Are you doing alright?” Gloria asked, and put a hand on one of mine, and looked like a teacher. “Is there some I should call? What do they have you on these days?”

“Ah, Gloria,” I said, jerking my hand back, full of regret and hunger and a loneliness deep. “I’m sorry. I have to go. I’ve got to buy flowers for the girl who’s going to break up with me, but maybe, after all that, we can go out to dinner.”

“Whatever you say,” Gloria told me, turning to look at the TV dinners, and I doubt I ever saw the woman again.

The bear and chocolates together cost less than twenty dollars, so I used my debit card and forgot the PIN number on purpose a few times and clogged up the cash register real good and embarrassed the hell out of Jayden, my cashier, and his nice haircut. In the parking lot, I presented the unbeating organ full of chocolates to a pretty young thing walking to her car. Her boyfriend, after some provocation, dislodged one of my teeth. At home, I gave the bear to Anna and forgot its name. She said, “Oh, thanks,” and I fell asleep watching Netflix, my evening of audacity, as always, exhausting.

Jonathan Persinger is the editor of Remarkable Doorways (@RemarkDoorways). His work has appeared in Cracked, The Avalon Literary Review, Twilight Times, Quail Bell Magazine, and Wild Violet.

The Forest At Night by S. Kay

Dark Forest
Mist floats through the forest while flashlights bob in the distance, tiny alien craft, jiggling stars, until they extinguish, not at camp.

Shelter
A pile of shivering skinny angles hides under a wet tarp in the bramble, fearing forest predators less than the men in the city.

Hypervigilant
Sounds from the trees, with a whiff of salty wind. Insomniac birds. Disturbed burrowers. The crack of branches, rhythmically breaking.

Dread
Leaves and feathers fall from fog. Icy rain coats her, while she expects the last crimson pounce will fall from heavy steps.

S. Kay’s book of sci-fi microfiction is forthcoming from theNewerYork Press in 2015. You can follow her work on Twitter or Tumblr.