The Lovely Fire by Katharine Wheeler-Dubin

He came out to let me know it was okay, that everything was cool. He said it wasn’t such a big deal as he first thought, despite the mess, despite the ash. He looked at me smiling, told me to go clean up, go home. My face was covered in soot. I had been sitting on his steps all night, waiting for him to come outside, waiting
and waiting. I didn’t know you were still here, he said. Aren’t your parents worried? Told me he had stuff to do, things to take care of, maybe he’d call me later. I stood, one foot on the cement, the other on the grass, watching him go. My parents don’t give a shit.
The first thing I did yesterday morning was count the lines growing from the corners of his eyes. I pretended to be asleep once he woke up, watched him move around the room kicking aside cans from the night before, getting dressed. He didn’t look at me, and he forgot to kiss me goodbye and I sat up from the covers only when he was gone. I was feeling shy that morning. I took a sick day from school because I thought he’d be back
but he didn’t come back until seven. When it was getting dark, I got an idea. It would be lovely, lighting a fire, lovely for him. He works too much, but you can’t tell because he hardly shows it and never complains. The metal grating covering his fireplace took a couple minutes to yank off, but I knew how much he’d appreciate it. Men appreciate small favors.
A fire takes a flame, breath, and fuel to make it grow. I had a lighter in my pocket and he had plenty of newspaper lying around, plus wood from the set he had been building for the musical. It was easy, getting the fire started in that old fireplace. The smoke filled up the room so sweet, like it was a campfire, the flames dancing and dancing. He came home, his car making a crunching sound in the driveway, and as he opened the gate, I ran out to meet him. Welcome home! I flounced into his arms. Men love girls who flounce.
You’re still here? You didn’t leave? I stood there smiling and he walked with me into his house, getting ready to relax with his favorite girl after a long day. Then he was yelling and cursing and beating at the fire with his shirt. What the fuck! What the fuck! He ran to the kitchen and grabbed a half-empty can of beer, threw it over my lovely fire. Get the fuck out! Get the fuck out!
I went outside and sat on the steps, waiting for him, waiting for him to let me know if
it was alright, if this was alright. I look old for my age, and my parents don’t give a shit.
Offer me a drink, I asked him quiet, like you did last night, after rehearsal. When
everyone had gone, and it was only me and you.

Katie Wheeler-Dubin (aka Hot Wheels), enjoys watching, from her front window, young women twerking on cars. Having moved to New Orleans for the summer from the Bay Area, she is learning how to move in the heat, chronicled in her forthcoming memoir, I Went to Sleep Drunk and Woke Up Hungry. This spring of 2014, she directed Quiet Lightning’s first short, Combustion. Read and watch Katie’s work on her site.

Cupid’s Vacation by Craig Kurtz

MISTER:
I say, it’s getting tricky lately
for a chap to have a cigarette
With all this fuss about the ladies throwing in
with those marching suffragettes;
Not that the gents are blameless
— they’re either effeminate or celibate
Reading Schopenhauer and moping
every hour. How deplorable!
What happened to the spirit
of bacchanalian high-jinks
And where is that waiter
who took the order for our drinks?
I used to think it was
rabble-rousing radicalism
Or the torpid symptoms of
contemporary existentialism;
The problem isn’t politics, nihilism
or its discontents; it’s men and women!
It’s more than just a little
squabbling and beshrewing,
It’s positively worse than a crisis
of neurosis
Or collapsing capitalism:
It’s Cupid on vacation — that lout.

MISSUS:
Now, let me tell you something
(do forswear your interrupting):
I, for one, have had my fill of machismo
and dare I mention mustache-twirling.
It’s brutes like you fomenting
partisan imbroglios
and conspiracies of protocol
inveterately feudal. Indeed!
Blame it on the liberal press
stirring up those abolitionists
Or point to global brinkmanship
from a factious working class,
Do what you will — now, where’s
our drinks? Let’s just get the bill.
The Devil’s in the details,
the issue is societal;
Upheaval in the colonies 4
is a trifle when you think of this:
It’s men and women! There’s the gridlock
in another campaign cycle
When demagogues are querulous
and filibusters universal;
It’s positively irremediable
When Cupid’s on vacation — what a rout!

Craig Kurtz lives at Twin Oaks Intentional Community where he writes poetry while simultaneously and crafting hammocks. Recent work has appeared in The Bitchin’ Kitsch, The Blue Hour, Drunk Monkeys, Literati Quarterly, Outburst, Regime, Indigo Rising, Harlequin Creature, Reckless Writing and The Tower Journal. Recent music featured at Fishfood & Lavajuice.

Self Portrait by DS Peters

My heart an old woman
skirt hiked up mid-thigh
as she slowly crushes
porto grapes with her
smooth bare feet
My blood is not porto
but magma rolling
sluggish as it cools
in a stream at the foot
of the calming volcano
though it still tastes of the grape

My head a red clay pot
my cerebrum soil, synapses seed
my hair grows thick and long
Dionaea muscipula
good only for consuming flies

My mind is quicksand
not even my mind can escape

My Spirit a Spirit
not a soul, covered
in soft feathers, deep
eventide tinge, with eyes
the color of the sky just before
a morning storm at sea

The rest of me is
as the rest of me appears
once a desire churning to burn
one day ash carried by the wind

DS Peters earned his MFA from Sarah Lawrence College in Bronxville, NY, and obtained his BA from UW-Milwaukee. He writes speculative fiction, earthbound fiction, poetry, and odd bits of non-fiction. He is a traveler, and currently resides in South Korea where he works as a professor and observes human behavior.

Someone To Tell It To by Jean-Luc Bouchard

“I looked him right in the eyes and said, ‘You’ve got to be honest with me. I can take all the jabs in the world but I won’t take you being dishonest.'”
“Good.”
“I looked right at him and said it. Do you know how many cigarettes I found in his coat?”
“How many?”
“Six!”
“Haha oh God.”
“And I think to myself, ‘How long has this been going on?’ Because, you know, he quit way back before—”
“Right, I know.”
“Well so this whole cigarette situation was just the final straw. I said, ‘That’s it.’ I went into the living room and he’s just lying on the couch facing the TV and I’m standing there just looking at him like, ‘Hello?’”
“Haha, yeah.”
“It’s ridiculous. I looked him right in the eye and said it was ridiculous.”
“It is.”
“This cigarette thing, the lying, and he has the nerve to complain about the house. I get it, he works, I don’t expect him to help much. Give me a hand when he can, you know, little stuff?”
“Of course.”
“And so he’s been giving me crap lately about the house, and I’m telling him, ‘Listen, if you want the house a certain way, you do it, okay? Because I’m doing what I’m doing, but if you want it done differently, then you do it.’”
“Right.”
“‘Be thankful for what I do already before you start complaining to me about the damn shower drain.’”
“Ha!”
“Sometimes…”
“Man…”
“Do you like your coffee?”
“Do you?”
“No, it’s woody. Doesn’t it taste woody?”
“Yeah, it’s not very good, is it?”
“It tastes like when you leave soda for too long in one of those cheap fast food cardboard cups.”
“It does!”
“Try to flag the waiter down if you see him. But anyway. All this comes up when I confronted him about the cigarettes. That he has the nerve to complain to me and act like I’m the bad guy and he’s the good guy when he’s being dishonest.”
“Mm.”
“Like he’s always in the right?”
“Mm.”
“I’m fed up. And I’ll tell you something else that’s been a problem: he’s getting fat.”
“Is he?”
“Oh yes. Tremendously fat. He’s gained 70, 80 pounds in the last couple weeks, at least.”
“Hm!”
“He’s eating enough for a small army and refuses to admit it. I try to tell him nicely that he should watch what he’s eating but he won’t listen. It’s making him slow, though, all the weight. I see him huffin’ and puffin’ going up the stairs we have out front.”
“Oh no, really?”
“He is! And we only have two steps out front, so…”
“Mm right.”
“I don’t know where it’s coming from. You know me, I’ve always been perfectly content with my cup of coffee and bowl of saltines for dinner, but he’s been demanding we eat more and more elaborate meals. Goodness knows where he even heard of Chicken Kiev in the first place. And…”
“Mm?”
“And I…oh, I don’t think I should…”
“What!”
“No…haha, no…”
“Oh you have to!”
“Well…haha, well his weight’s really making him sluggish…in the bedroom.”
“Ha! Oh!”
“Yeah, haha, I’ll ask him, you know, oh come on, you know, every now and then, ‘Hey, how about coming to bed with me?’ Haha right?”
“Haha! Well?”
“And he’ll grunt, ‘Eh, sure!’”
“Ha!”
“And it takes him about an hour to roll off the couch, and then another 30 or 40 minutes to get up on his feet, and the walk to the bedroom damn near takes him half a day.”
“Wow!”
“And in all this time I’ve gone to sleep and woken up and dropped the kids at school…”
“Right!”
“So there’s that!”
“Ha, my goodness…”
“I’m saying…”
“My.”
“It’s all of this, it all adds up, you know? And it really gets to me, it wears me down. And then he gets the nerve, with all of this going on, the nerve to look me in the eyes and lie about the cigarettes. And oh! Oh! On top of all this? On top of this? Do you know what else?”
“What?”
“He hits me! He hits me mercilessly!”
“No!”
“It’s true! Last night he took a bat and caved in the side of my head.”
“I was going to say it looked different, but I wasn’t sure.”
“No, it is! It’s from the bat! He thinks this relationship is all take and no give, that he can just keep asking for more and more and more and I’ll just do whatever he wants whenever he wants it. And then he gets mad when I say how I feel?”
“Ugh…so unfair…”
“Very unfair! And it’s not like I didn’t have to make sacrifices for this marriage, oh no no no! Three months ago, when his legs began to fuse together and swell like a balloon, did I complain? Did I tell him, ‘You know, hon, the bubbling sound your skin makes keeps me up at night,’ or, ‘You know what, dear, it’s a big pain in the butt trying to squeeze you through the door now,’ did I?”
“No you didn’t.”
“No! I didn’t! And meanwhile he’s smoking again and he’s cheating on me—”
“No!”
“Oh, didn’t I mention?”
“No!”
“Oh, you’ll love this.”
“I can’t even…”
“So it all starts when I was washing the toaster. I was having a hell of a time getting it clean. I mean, it was taking me four times as long to clean it as it normally would. I had to get my arms like this just to reach around it, and then I’d have to bring them all the way back to spritz the rag with cleaner. It was a pain.”
“Mm.”
“Well then I realized, ‘Hey, this isn’t our toaster.’ Do you know what it was? A brand new dishwasher, chrome plating and everything, sitting right in the middle of my kitchen.”
“Fancy!”
“So I inspect the thing, because I had no idea where it came from, and I find this envelope taped to the side of it. And it’s addressed to you-know-who.”
“M-mm…”
“So naturally I tear it open—”
“Ha!”
“—and inside is this disgusting letter from someone named Nikki.”
“God…”
“Oh it was terrible, the dirtiest thing…And pictures!”
“No!”
“Oh yes! Hundreds of Polaroids, spilling out onto my floor. I had to swim into the living room for air.”
“Oh how awful.”
“She had breasts like watermelons, out to here! And maybe eighteen years old. Maybe. At the oldest.”
“Ugh.”
“And she signs the letter with, ‘Because I remembered, last time we were in the throes of mind-blowing sensual pleasure, that you said you needed a new dishwasher. Until next time, Nikki.’”
“Ugh.”
“So you can see why I’m in the state that I’m in.”
“Of course. I’m amazed how well you’re taking all of it. I’d be a mess.”
“Well, thank you for listening.”
“Oh of course, anytime.”
“I know it was a lot of ranting and venting.”
“No no it’s fine.”
“This coffee tastes like sawdust.”
“Yes, it’s not very good.”
“Wanna pay and then we’ll head outside for a smoke?”
“Yeah sounds good.”

Jean-Luc Bouchard is a writer living in New York whose short fiction has appeared in Specter, Umbrella Factory, 100 Word Story, Eastlit, Danse Macabre, and Blotterature. He is a graduate of Vassar College, where he studied English, Music, and Asian Studies. You can check out Jean-Luc’s website, or follow him on Twitter.

Featured Author: Daniel Wallock

Styrofoam

Styrofoam, ice, and a holy vessel flew across the ICU hall. The ending of life, begins with the falling of rhythm. The first lab coat flew parallel-left, the second lab coat flew parallel-right. Time seemed to slow; air did the same. The lab coats hit the floor and glanced up at the light. She stood in her gown with her palms covered in red, she saved her heart and for that she’s not dead. – Daniel Wallock

Daniel Wallock was born with seven life-threatening heart conditions. His heart and love for life are at the core of all his work, and he dreams of sharing his life story and inspiring others to love their life. In the past year he has won four writing awards, and his work has appeared in Burningwood, Wild Quarterly, Paragraph Planet, ExFic, and The Bolt Magazine. His first book – Right-Hearted: Finding What’s Right With a Wrong-Sided Heart, is available on kindle. You can read more of his work below.

On Light

Cavernous blacks envelope thick suffocating waters. A lone fish sways, while the current sits stagnate. Beaming in the distance a low hazy glow. The fish floats forward with a crystal-light reflection in his eyes. His eyes are bright as he touches down right next down to the glow. The water quaked, the light flipped up, and the jaws shot forward. The fish was gone, but the light remained.

 

Signals for Belief by Seth Jani

The simplest, most incommunicable truth
Is a small stone at the bottom of the heart,
An intimation amongst the bile,
Amongst the patchwork of perjury and blood.
It doesn’t sing like love,
Or burn in the bowels like hate or anger.
It barely simmers even when the most glaring space
Opens for its presence.
Instead it is like a hint of the unknown
That comes and goes with the wind’s discretion.
An instinct that shudders in the carpentry
Of bone.
A subtle premonition
In a backed-up voice box.
It’s a slow, lugubrious butterfly
That occasionally starts up
From the intestinal thatch-roof,
Lifts its one-of-a-kind body
Up through the diaphragm
And disappears through the pear-shaped
Clouds of morning.

Seth Jani was raised in Western Maine. He is the founder and editor of Seven CirclePress and his own work has been published widely in such journals as Writers’ Bloc, The Foundling Review, Phantom Kangaroo and Chantarelle’s Notebook. He currently resides in Seattle, WA. His website is http://www.sethjani.com.

My Life and Medieval Times by Howie Good

There’s a new exhibit at the museum. Many odd items are on display – hair from the heads of madmen, baby clothes that were worn by a miniature pinscher, a jar of eyeball jell. The visible has become fugitive, taking a cue from the language that birds invented to preserve their secrets. Those of us waiting in line avoid any discussion of what is art. We all must share one handkerchief. It’s like watching TV with the sound turned off. The real content lies elsewhere, perhaps with the falcons that feast on the crows feasting on the bodies of hanged criminals.

Howie Good’s latest book of poetry is The Complete Absence of Twilight (2014) from MadHat Press. He co-edits White Knuckle Press with Dale Wisely, who does most of the real work.

Translating the Colour Breen by Carol Shillibeer

swimming, before the new moon
crescents-out all over the night,
my wet skin feels breen like yours does heat,
the mouth of the warm spring sun
on the skin over your heart

Carol Shillibeer is a synestetic and an epileptic, hence her obsession with “translations.” A writer, who also takes pictures, makes sound files, reads tarot, edits poetry manuscripts and teaches workshops, she publishes a few bits and bobs. Her list is at carolshillibeer.com

Elephantal Humans by Laura Taylor

eugene asked why I liked women
I should have said hectocotylus that’s why
duck sex with screwdriving gangbangs that’s why
invertebrate hypodermic insemination
that’s why
but no
elephants are matriarchal
built with chastity-belt shaped penis-clits
it’s true
for the giants of drum-beating hearts
their consent is holy, is sexy, is built-in
my dark friend from cameroon
thinks lesbian sex is practice
likes his girlfriend to kiss girls
but not other men
eugene, I like elephantal humans.
more often than not,
their earthsuits are female
just as the packages you prefer
that’s why
and when your girlfriend prefers other lips
to yours
her yes is holy,
her kiss is never practice.

Laura Taylor was raised in Hawaii, but currently lives in Oklahaoma, which she says is Ok! For more poems and such, check out Laura’s blog.

Sometimes We Share by Kenneth Gurney

Sometimes we share
a cup of starry nights
and drink the empathy
of the ancient buffalo herds
that thundered the world
and channeled a waking
of distinctions
between theory and practice
and a spirit-world-substance
that we label friendship
and reshape a little
through mathematics
to form such a biology
that the knowledge of oneness
is contained in a song
that flocking birds follow
on their semiannual migrations.

Bio: Kenneth P. Gurney lives in Albuquerque, NM, USA with his beloved Dianne. His latest collection of poems is Curvature of a Fluid Spine. To learn more visit kpgurney.me